Here's a list
of all Lightchild sheet music titles currently available. If you would rather not place an order online, please call us at 1.866.236.5459 or email us at info@lightchild.com.
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Desiree Goyette collaborates with composer and husband Ed Bogas to write this solo for piano (organ) and voice. Simple and beautifully crafted, the interplay between the voice and piano is perfect, reaching together toward the quote: “Blessed are the pure in heart for they shall see God…through the eyes of a little child.”
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Set to familiar words from the Bible (I John), this quiet and meditative solo for voice and piano (organ) is simple and refined. Jazz harmonies in the accompaniment.
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A joyful, majestic anthem of praise and worship with words from the Bible. Upbeat, fresh and modern; the meter changes to follow the rhythm of the words. A quiet devotional middle section with gorgeous step-wise movement in the accompaniment, returns to the opening theme and a strong triumphant finish.
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Beautiful soaring melody, the vocal line is supported by a syncopated, then florid bass line climbing to a strong, almost operatic ending – suitable for the classically trained singer, or a singer with a big range.
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This introspective inspirational solo for voice and piano (organ) and optional cello features a pop-style, pushed rhythm in the melody to jazz harmonies in the accompaniment. Fresh and moving, this solo demonstrates the composer’s gift as a lyricist ~ one simply cannot imagine a more perfect setting of words and music.
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Fresh and original, the simple contrapuntal motion in the outer voices sets this contemporary classic solo for voice and piano (organ). The mood is uncomplicated and elegant, yet sophisticated and fresh, with jazz harmonies in the accompaniment.
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Uptempo solo with words adapted from the Bible (Isaiah). Middle section features a dramatic ascending line for the voice and the piano (or organ) leading to a strong fortissimo ending.
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A real tour-de-force Amercian art song, the melody is through-composed, and follows the rhythm of the words, which are based upon an essay by Mary Baker Eddy. Beautiful and inspiring, with a very moving, quiet ending. The composer has brilliantly taken her cue from the poet to paint the imagery of “Spring waking up the world”.
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Desiree Goyette sets the words of Mary Baker Eddy’s poem to a simple, strophic melody that is lyrical and incomparably sweet. The voice line arcs and flows upward over a bass line descending stepwise on the strong beats, creating a moving effect, beautifully illuminating the quiet peace and deep joy within the poet’s words.
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Chordal accompaniment evoking church-bell chimes support the vocal line in parallel motion to create an exquisite solo for voice and piano (organ). Words are from the poem by Mary Baker Eddy.
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This solo for voice and piano (organ) is deeply reverent. The simple chordal accompaniment, which matches the rhythm of the vocal line, underscores the meaning of the words by Mary Baker Eddy. The effect is quiet and solemn, yet stirring. Jazz harmonies in the accompaniment create a colorful foundation.
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Horn fifths in the bass create the gentle, pastoral mood of the opening phrase. A steady rhythm of colorful harmonies frames the piece and grounds the lilting vocal melody, while the composer’s signature style of distinct jazz harmonies adds a fresh and modern treatment to these cherished words by Mary Baker Eddy.
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Haunting A - minor tonality pervades the opening of this gorgeous setting of the poem by Mary Baker Eddy. The vocal line is contemplative; the bass line delivers power in canon-like simplicity as it moves through the opening statement. For the final verse the piano (organ) moves up in registration above the vocal line, creating an effect that is delicate and poignant. The experience is peaceful, comforting and warm. Dramatic and beautiful, this is a sophisticated solo and a fresh new setting of this beloved poem.
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The words of Mary Baker Eddy are set in strophic style to a simple and beautiful melody. Jazz harmonies and syncopated rhythms in the accompaniment make a fresh statement. This solo is very effective for piano, yet suitable for organ.
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Calm, simple and charming solo to words by Mary Baker Eddy. The melody lies mid-range; the drama of the piece is most effectively delivered by a singer with power in the middle register. Jazz harmonies.
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The Lord's Prayer and its Spiritual Interpretation
The craft of composer Ed Bogas is brilliantly demonstrated in this vocal duet. The words to The Lord’s Prayer are introduced by a simple, understated yet prayerful melody. As this prayer is repeated, the second voice comes in superimposed above the first, singing Mary Baker Eddy’s interpretation of the biblical text. The juxtaposition of the two lines heightens the understanding of the words, while the intertwining voices create harmonies of lyrical beauty; the effect is original and powerful. This piece may be sung as a solo, by singing the two texts independently, one after the other.
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The Scientific Statement of Being and Correlative Scripture
Composer Ed Bogas takes his cue from the poet and brilliantly reveals through music the correlation between these two texts, very familiar to the Christian Scientist.
Over a flowing accompaniment, the words to The Scientific Statement of Being, by Mary Baker Eddy, are presented in almost parlando style. Then, indicating the poet’s intention, the correlative scripture from the Bible is introduced in a second voice, serene and legato, and just behind the first, until, in illustration of the synonymous meaning of the two texts, they unify in parallel thirds. This piece may also be sung as a solo.
Downloadable PDF: $6.95
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By Peter J. Hodgson A collection of five exquisitely composed solos for voice and piano (organ) artfully wedded to beloved texts from the Book of Psalms.
By Peter J. Hodgson
A collection of six familiar hymns from the Christian Science Hymnal. Lyrically and elegantly arranged for solo voice and piano (organ).